Important Ticketing Info: Effective January 6, 2025, at 10:00 AM, AXS is the official ticketing partner for The St. Augustine Amphitheatre and Ponte Vedra Concert Hall. Tickets must be purchased directly through TheAmp.com and PVConcertHall.com, at the venue Box Office locations, or via our ticketing partner, AXS.

Please Note: Tickets purchased via Ticketmaster prior to January 6, 2025, at 10:00 AM, remain valid and will be honored at the event. No refunds or exchanges are required. Simply bring your original tickets to the gates on the day of the show.

Purchasing tickets from any source other than TheAmp.com, PVConcertHall.com, the on-site venue Box Office, or via AXS after January 6, 2025, at 10:00 AM, is done at the buyer’s own risk. Tickets purchased through third-party sellers may not be valid for entry and cannot be verified.

For more information, please visit our Box Office & Ticketing page.

The title makes it clear. A La Sala (“To the Room” in Spanish), the fourth studio album by Khruangbin, is an exercise in returning in order to go further, and do so on your own terms. It extends the air of mystery and sanctity that’s key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. Yet if 2020’s Mordechai, the last studio album Khruangbin made without collaborators, was a party record whose ensuing post-lockdown tour enhanced the band’s musical reputation far and wide, A La Sala is the measured morning after. It’s a gorgeously airy album made only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It is a porthole onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.

It is also a response to the unique moment Khruangbin finds itself in now: following a decade spent cultivating extraordinary music paths, beginning a year when they'll perform for more people, in more iconic spaces, staging a live show that pushes a creative envelope peculiar to them alone. (Look for the band at major festivals and venues near you.) 2024 feels like both marker and pivot, cementing Khruangbin’s stature as a commercially and critically successful group that continues to be guided by creative possibilities.